Oct 19, 2010

A book of Misprints - Fair Trade



Two recent work from a 'Book of Misprints.' These details are from a body of 80 prints. The print is 3-4cm on an A4 page.

Oct 18, 2010

A book of Misprints - HEAD






Recent work from a 'Book of Misprints.' These details are from a body of 80 prints divided into 7 chapters: Fair Trade, Long Time Man, Pure, Oldest Profession,Venus as a Whore, Extra virgin, Head. The print is 3-4cm on an A4 page.

A book of Misprints -Venus as a Whore




Recent work from a 'Book of Misprints.' These details are from a body of 80 prints divided into 7 chapters: Fair Trade, Long Time Man, Pure, Oldest Profession,Venus as a Whore, Extra virgin, Head. The print is 3-4cm on an A4 page.

Sep 10, 2010

Holiday Snap





















This is one of my favorite photo's from my recent holiday.... it is close to the Barbican Arts Centre.

Sep 4, 2010

The Surreal House

I saw the exhibition 'The Surreal House' at the Barbican Centre. A diverse collection of art, objects & film, set inside a labyrinth of spaces designed by an architect. Featuring pivotal artists, architects and film makers including Salvador Dali, Marcel Duchamp, Alberto Giacometti, René Magritte, Man Ray, through to more contemporary figures. My favorite piece - was a film featuring Buster Keating - the title of which escapes me.

Sep 2, 2010

Another work from the Saatchi Collection























I photographed this work at the Saatchi Gallery in London. Its not my taste or aesthetic, but it was a good piece to document rather than just 2D works...





Sep 1, 2010

From the Saatchi Gallery III




Another painting from the Saatchi Gallery in London. I was amazed I was allowed to take photographs....

Aug 18, 2010

Barbican Sky Towers






























































Brutalist architecture is a style of architecture which flourished from the 1950s to the mid 1970s, spawned from the modernist architectural movement. I went a tour of the Barbican Estate recently, well worth a visit if your visiting London: http://www.barbican.org.uk
/education/series.asp?id=606

Apr 21, 2010

Granny Smith ( 1996 )













Continuing with my posting of earlier art works - that are old enough to make me feel like its someone else's work. Some of them I find embarrassing, but I have made them, so here they are ( including the previous 3 posts ).

Mustard ( 1997 )

BlackBird










Detail from painting 'Black Bird' (1998). From the same series as the previous post: Milky Bar White.

Apr 15, 2010

Milky Bar White.

















Detail from a painting  - long since thrown out. From 1998.

Bridge of Remembrance.























This is pretty old - from 1986 when I was a student at Vis Com, Christchurch.  I've kept the photograph as its a great example of a warm toned, fiber based print. I think it was Brovira Speed  - which is a matt paper. The image sits 'in' the paper (instead of sitting upon the emulsion of a coated paper) with the warm tones of the paper coming through the image.

Feb 21, 2010

Venus as a Whore























Detail, from my recent show at CoCA. 
The image is 3-4 cm in size upon an A4 paper.

Feb 10, 2010

Jan 11, 2010

Codependency





















From 2009. A luna type landscape constructed out of anti-depressant medication. More of this work can be viewed on my website, at www.aclinicalpractice.com
artwork copyright of the artist.

Dec 9, 2009

Preview


















The graphic is the invite to my printmaking exhibition at CoCA in Christchurch.

Oct 15, 2009

Figure Drawing.


































Cripes, this is way old... back when art courses had figure drawing classes! From 1987 when I was studying at Christchurch Polytechnic, the tutor was Dee Copland. I have good memories of an enthusiastic Dee.

Sep 15, 2009

Kaleidoscope


I was at the survey exhibition of Olafur Eliasson at SFMOMA. At entry point of the exhibition you had to walk through a kaleidoscopic tunnel. I wasn't sure if photography was allowed, & I do know better..... but I took this quick snapshot.

Sep 6, 2009

MEAT


Oil on canvas, 2009. Painting by Garth Steeper.


artwork copyright of the artist.

Aug 29, 2009

Conservative NZ


From 2004. Screen-print on paua shell laminate. Shown at Compact Space.


Work copyright of the artist.

Aug 25, 2009

Toilet Art


Above - 'I Think My Work is Kind of Crappy'. And below, 'I Want to be Famous & Exhibit at Gow Langsford.' Screen-print on toilet paper. Both of these were 'rejects' & never exhibited, they are from a body of work titled 'Learner Artist' an exhibition of 2004. ( to view this show go to http://aclinicalpractice.com/Site/Archiv_1./Pages/Learner_Artist.html )

A while back, I remember going to an art opening at the Gow Gallery in Kitchner Street, and needing to use their toilet; in which on the wall was a small framed piece. It presented the in-house joke line 'I want to Be Famous & Exhibit...' Regardless of its origin & context I thought this self parodying was certainly not self-effacing, but quite pretentious. I can imagine Gary Langsford sitting on the toilet & chuckling to himself about this line. 

In some ways the Dealer gallery /artist relationship is akin to Pimp/prostitute, meaning Gow Langsford is really just brothel. In line with this thought;

HOOKER / tired on peddling his wares on the street. 
seeks MEANING LONG TERM RELATIONSHIP WITH DEALER.
( & promises not to sleep around )
 


Work copyright of the artist.

Aug 15, 2009

Extra Virgin


These shown examples are from a body of work produced from 2002-03. Exhibited in two incarnations -'Your Place or Mine?'  And the latter 'Your Palace of Mine? (Ma'am). I felt much of the artwork too derivative from the sources they were appropriated from - brothel ads & vintage N.Z postage stamps. For me, the works presented in this blog were more successful (despite the kitschiness) because of their simplicity  - perhaps the inherent nature of paper cutouts.

All artwork copyright of the artist

Aug 9, 2009

Heavy Metal



'Heavy Metal' was both the title & framework for a group show. This exhibition was held in 1998 at a Christchurch venue. Using a light sensitive photographic emulsion product to coat the metal block, an image of a metal gate was then printed upon its surface. 

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All artwork copyright of the artist.